Ex Libris :: Late Cuts II

With the goal of showcasing Vancouver artists and musicians working in the visual arts, Late Cuts II embodies the spirited vigor of dancing fingers on frayed paper; of celestial pitter-patterings traced as screened images on worn yet ennobled newspaper stock; of tumbling turnings of tongue twisting twirling prose in the dividends of suburban archways. These limited run releases—each of which is published in a different format—embodies the creative mentality of curators basking in the illumination of self-generating artistries, the incarnations of which are unique in their own methods of sentiment, conveyance, and delivery. With the demarcation between various art forms becoming increasingly intertwined, Late Cuts II exemplifies the power of multi-formative communication: of speaking through design and aesthetic; of absorbing through sight and touch. And we, the proud denizens of brightly zealous artscapes, are made that much more so by virtue of the aesthetic deliveries from the curators of this heartfelt community-oriented gallery of ink-laden loveforms.
Late Cuts II
Curated by Liam Shiveral, Tylor Macmillan, and Hugo Noriega
(Self Published)
Vancouver, BC

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From the ink-laden loveforms of Joshua Robinson:

With the goal of showcasing Vancouver artists and musicians working in the visual arts, Late Cuts II embodies the spirited vigor of dancing fingers on frayed paper; of celestial pitter-patterings traced as screened images on worn yet ennobled newspaper stock; of tumbling turnings of tongue twisting twirling prose in the dividends of suburban archways. These limited run releases—each of which is published in a different format—embodies the creative mentality of curators basking in the illumination of self-generating artistries, the incarnations of which are unique in their own methods of sentiment, conveyance, and delivery. With the demarcation between various art forms becoming increasingly intertwined, Late Cuts II exemplifies the power of multi-formative communication: of speaking through design and aesthetic; of absorbing through sight and touch. And we, the proud denizens of brightly zealous artscapes, are made that much more so by virtue of the aesthetic deliveries from the curators of this heartfelt community-oriented gallery of ink-laden loveforms.

Des formes d’amour chargées d’encre de Joshua Robinson: (Traduit par le body-painting émotionnel de Louis-Félix Pellerin)

Dans le but d’exposer des artistes et des musiciens vancouvérois du domaine des arts visuels, Late Cuts II incarne la vigueur pleine d’esprit de doigts dansant sur du papier usé; du tambourinement céleste tracé comme des images encadrées sur des piles de papier journal usé, mais anobli; de tours trébuchants de prose virelangue virevoltante dans les dividendes des voûtes de banlieue. Ces éditions limitées, chacune publiée dans un format différent, incarnent la mentalité créative des conservateurs se complaisant dans l’illumination des talents qui s’autogénèrent et dont les incarnations sont uniques dans leurs méthodes de sentiment, de communication et de distribution. Alors que les différentes formes d’art s’entrelacent de plus en plus, Late Cuts II exemplifie le pouvoir de la communication multiforme : celle-ci permet de parler à travers le design et l’esthétique; d’absorber à travers la vue et le toucher. Et nous, fiers habitants de paysages artistiques brillamment zélés, le sommes encore plus grâce aux livraisons esthétiques des conservateurs de cette touchante galerie de formes d’amour chargées d’encre axée sur la communauté.