From the comyn-spiced balconies of James Goddard:
This EP from Edmonton’s Jom Comyn (sometimes Jim Cumming) speaks to the concerns of young adults in the 21st Century – I mean actual young adults, not the browsers of Gordon Korman – unemployment, cigarettes, sloppy romances, late-nights, and (of course) almost condemned balconies. The guitars carry the tunes lethargically; apathetic tones, sketchy feedback, and non-committal fuzz over dusty, stilted drumming. Jom’s vocals shine through the nest like a retired lounge singer; an odd, weathered voice spouting the words of a quarter-life savant. “You don’t know what you are doing until years after it’s through.” On Sunday morning, in a hungover haze, it all sounds like it might be the truth.
Jom Comyn – New Raincoat
Jom Comyn – Roomie

It takes an incredible amount of patience to make an album like The Blistering Sun, The Pale Moon, Hahahaha. It’s careful and deliberate; calculated without losing any ounce of intimacy; sparse, yet still engaging. Its minimalism is like a barren landscape whose terrain takes great form as you listen closer; diamonds, cacti, and beautiful insects crawling amongst the sandy-chords and phased vocals. There is a great amount of subtly that makes KNOTS so much more than a ‘guy with his guitar making a loner folk album in his basement.’ KNOTS delivers singer songwriter material that helps us forget how cliche the genre has become.
KNOTS – Happiness
KNOTS – Satiated