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March 5th, 2012

New Canadiana :: Dog Day – Deformer

Dog Day - Deformer
Adding salience, excitement and nuance to pop is like having a couple-based band that isn’t nauseating; it’s a tough thing to do, and if you ever need some tips on how to do it, look no further than Dog Day. On Deformer, interesting melodies are always on the cusp of sweetness, but they never go full-on, instead they take the infectious side of college rock and marry it to interesting textures and unexpected directions, then propel it with earnest energy. Not that you need to feel guilty about listening to pop music, but this has enough substance, roughness and ingenuity that you don’t have to justify it to anyone.

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Dog Day – Scratches

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Dog Day – Part Girl

February 14th, 2012

New Canadiana :: Cannon Bros – Firecracker/Cloudglow

Cannon Bros - Firecracker/Cloudglow
This album’s ambiguous and visceral title pops like some insta-nostalgic mixture of The Zit Remedy, a nearly forgotten Eric’s Trip video and your overwrought LiveJournal entries from high school (which, upon second glance, are much more heartfelt and less embarrassing than you remember). Alannah W. and Cole W. have been making these one-, two-, and three-chorders for a few years now, apparently writing songs tallying into the hundreds, but have pared the laundry list down to 12 for this release. Switching between cymbals, skins and strings, they take turns singing about soft-shoeing through their lives and dealing with, y’know, the shitty stuff, but glossing it over. It all sounds peachy keen, albeit sometimes frantic.

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Cannon Bros – Take

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Cannon Bros – Out of Here

March 30th, 2011

New Canadiana :: Bad Vibrations // Bloodhouse – Bad Blood

D’un côté, Bad Vibrations délaisse quelque peu le power-pop-punk tordu qui caractérisait son premier maxi pour s’exposer la flanelle sur un sentier cagneux de fuzz mélancolique, de tambours itératifs et de voix éthérées et dit « allo » au grunge c88-90 d’un air à la fois triste et fâché, parce que le grunge c’est compliqué. De l’autre, Bloodhouse se magne le punk, amincit son mur du son pour laisser passer plus de fun dans son psych-garage et incite sérieusement au tapage de pied jusqu’à ce que ça saigne, entre un John Dwyer d’avant et un de maintenant. Halifax l’a, l’affaire.

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Bloodhouse – Endless Vacation

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Bad Vibrations – Waking Up

March 2nd, 2011

New Canadiana :: Bruised Knees – Badwater & Holy See’s Horror

Yet another face-melting insertion within the Scotch Tapes and Young Guv lathe series. Two slabs of soylent plastic were necessary to capture the wikked vibrations emerging from Toronto’s Bruised Knees. Eerie, synthetic mellowtones are sandwiched between cultic clamor and shattering shimmer, spinning psychedelic sinusoids around our sonic horizon. The Huckleberry influence runs deep within the wincing metal and triplic drummery; thud, thud, thud, thud, burn burn burn burn. What else lay dorment in Guv’s lair? Grip before the patina groweth.

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Bruised Knees – Holy See’s Horror

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Bruised Knees – Badwater

December 30th, 2010

New Canadiana :: Construction & Destruction – Mutatis Mutandis

Construction & Destruction
Mutatis Mutandis
(The Quarantine)
Port Greville, NS
::web/sounds::


From the mutant mutandis of James Goddard:
Rural art-rockers radiating traces from a secluded homestead hanging over the Atlantic Ocean. Fresh like the crunch of first steps in burnt snow. Mutatis Mutandis is Construction & Destruction’s fourth bass-led caravan of hyper-text lyrics, dense guitar riffs, detached drumming and Kohakian meditations. It takes a moment to reach the place they’re coming from. Venture forth and see for yourself.

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Construction & Destruction – The Oracle

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Construction & Destruction – Bear

September 24th, 2010

New Canadiana :: Grown-Ups – Not Friends

Grown-Ups
Not Friends
(Self Released)
Calgary, AB
::web/sounds::


From the grunge-core of Jesse Locke:
Funded by the sales of a surprise success goof, Calgary’s hurly-burly Grown-Ups self-released this four-song 7” ripper. For those paying attention, it’s business as usual: fast, catchy songs (this time they’re calling it ‘grunge core’), angry dad vocals and wise-ass lyrics with topics ranging from pyramid schemes to insomnia to real talk between grown-ass men (plus nods to Neil Young and Dr. Steve Brule!). The only thing likely to be more of a no-brainer is the Dude Ranch cover set they’ve announced for Halloween. 500 copies, red or clear vinyl.

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Grown-Ups – We’re Not Friends

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Grown-Ups – The Mess

September 15th, 2010

New Canadiana :: Stalwart Sons – Burn Daylights Like Torches

Stalwart Sons
Burn Daylights Like Torches
(Revolution Winter)
Calgary, AB
::web/sounds::


From the burnt prairedom of Aaron Levin:
Strange currents of prairie hard-rock percolate this hooking jaunt through hardcore’s progressive pastures. Don’t let them convince you otherwise: Burn Daylights Like Torches is a phenomenal rock record fit for turntables of all dimensions. They maintain their uncanny can-rock hookery through bails of crushing guitar riffs and agropop vocals, readying your inner 90s-teen for summer streams of melodic bass and jazz drummery. It’s the perfect answer to Halifax and Montreal’s wave of mathrock tompoppery and the only reverberations in this context imbued with Alberta’s pastoral identity. GRIPORBEGRIPPED.

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Stalwart Sons – In Dust

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Stalwart Sons – Canadian Railroad Epitaph

August 17th, 2010

New Canadiana :: Jom Comyn – Balcony

Jom Comyn
Balcony
(Champion City Records)
Edmonton, AB
::web/sounds::


From the comyn-spiced balconies of James Goddard:
This EP from Edmonton’s Jom Comyn (sometimes Jim Cumming) speaks to the concerns of young adults in the 21st Century – I mean actual young adults, not the browsers of Gordon Kormanunemployment, cigarettes, sloppy romances, late-nights, and (of course) almost condemned balconies. The guitars carry the tunes lethargically; apathetic tones, sketchy feedback, and non-committal fuzz over dusty, stilted drumming. Jom’s vocals shine through the nest like a retired lounge singer; an odd, weathered voice spouting the words of a quarter-life savant. “You don’t know what you are doing until years after it’s through.” On Sunday morning, in a hungover haze, it all sounds like it might be the truth.

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Jom Comyn – New Raincoat

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Jom Comyn – Roomie

August 5th, 2010

SONDE :: Outdoor Miners – Disgust

Outdoor Miners
Disgust
(Pop Echo Records)
Edmonton, AB
::web/sounds::


From the disgusted mind of Aaron Levin:
The latest diamond-tip offering from Edmonton’s autarchic trio is a convergence of the varied streams binding their sound. Their wilding drummer grips the mic for “Bent Brain,” a searing foray into classic punk riffery (complete with anthemic, pit-grinding chorus), while the scalding mellowness of bass-face Sagar pierces through “Friends With Money.” The whole spectrum is collected in “Disgust,” which just happens to contain an over-the-top classique rock solo. Another brilliant travelogue into the adjective-rock cosmos. ?GRIP(to infinity).

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Outdoor Miners – Bent Brain

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Outdoor Miners – Friends With Money

July 19th, 2010

Music :: Bloodhouse – Bloodhouse

Bloodhouse
Bloodhouse
(Self Released)
Halifax, NS
::web/sounds::


From the bloodied home of Aaron Levin:
A churning swamp of distortion oozes from Bloodhouse’s debut cassette. It pushes their thunderous pop monstrosity into new dimensions of intensity, molding the Haligonian pop-vocal-phenomenon into walls of spectral noise and sinusoidal chaos. Tracks like Eerie Power tear apart the murky folds of reverb, bearing witness to a brash group of teens spawning havoc within our audio organs. HEAVY.

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Bloodhouse – Eerie Power

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Bloodhouse – Grave Mind

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