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September 7th, 2011

New Canadiana :: The Pink Noise – Gilded Flowers

Once again, Pink Noise mastermind Mark Sauner sounds like a laid-back, drug dealing, cartoon street hustler leaning against a brick wall trying to sweet-talk you. Are you going to get inside his black Cadillac and go for a cruise? I warn you he’s headed for a futuristic district. The windows to this man’s soul may be tinted, but it’s a luxury ride to the finish line. This is mutant-making music. These anthems would provide the suitable soundtrack for a dystopian inner-city youth centre with a poisoned water supply. The Pink Noise is truly a national treasure and sorely under recognized for its achievements in the field of sleaze.

[Ed’s note: Yes, we already posted about this album in its original format. This is its fourth pressing and first on wax from the good folks at Pleasence, and it sounds sleazier than ever…]

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The Pink Noise – Shy Guy Beach

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The Pink Noise – Black Cadillac

August 26th, 2011

Imprint :: Pleasence Records

Swirling within the endless cosmos of polyphonic doctrine, Toronto’s Pleasence Records remain an ardent force of diversity alongside the orthogonal streams of TO’s new underground. Their catalog grows in dimension with each mind-boggling effort, exemplified by the soft yacht-rock of Young Guv easing into Man Made Hill’s burnt fidelity. I was stoked to hear that Managing Editor Jesse Locke met with the head honchos from Pleasence this week. Dig below.

Aaron Levin
Big Lurch
Weird Canada
weirdcanada.com

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The Pink Noise – Galapagos

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Man Made Hill – Hard Breeze Is Gonna Blow

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Induced Labour – Whore Eyes

1 :: How did you launch your label and why? C.R.E.A.M.?

We were both at an Induced Labour show in early 2010 where Leslie (Predy) smashed a pint glass off the stage, dove into the shards, and was dragged by her pants around her ankles by the crowd. Deirdre later picked the glass out of her ass. That night we both fell in love with them. Later that spring, over some very fine homemade Italian food with friends, Deirdre stated her intention to release their record and James wanted in. The record took a while to put out so we released a Vagina Bison tape, a 7″ split from Gay/White Suede, and a 7″ EP from Suitcase Sam in the interim. By the time the Induced Labour record came out, we were already working with more artists. It’s been rolling steadily ever since.

2 :: To date, which of your releases has been: a) the best-seller, b) your favourite and c) the biggest bummer?

Young Guv & The Scuzz has undoubtedly been our best seller. We’ve sold that record all over the world. He also recorded the Tropics, Huckleberry Friends, and Gay/Sexy Merlin records we’ve put out. He’s one of the most prolific guys in Toronto right now. The Soupcans and Suitcase Sam have also worked very hard to get their records out there, selling a few at every show, playing as often as they can around town and touring Canada and the States.

As for B, that’s like picking your favourite child. We’re so proud of them all! Our favourite is usually whatever we’re working at the moment, since usually that means we’re listening to it over and over and over before the final press. You become quite intimate with the record, like you’ve known it for years.

The only time it feels like a bummer is when a record we really love doesn’t have the immediate impact we feel it deserves. We become like angry parents at their kid’s hockey game.

3 :: What sets you apart from other labels? Music, art, liner notes, posters, glossy 8.5” x 11” head-shots?

We initially connected over music by both being record collectors. Deirdre works at She Said Boom records in Toronto and James would hang out there for hours browsing, yakking about bands, listening to different records. We like to think there’s a certain diversity in our catalog that reflects our broad tastes. We never wanted to have a genre label that would only release a specific style. I don’t think we could ever commit to that, there’s just too much different stuff we’re into.

4 :: Future plans? What can grippers look forward to gripping?

By this time next year you’ll be hearing records by Pon De Replay, Fleshtone Aura, John Milner You’re So Boss, Wasted Nymph, Odonis Odonis, a VHS tape of the last Induced Labour performance, and hopefully a few others.

Pleasence Records Discography (to date)

  • PR000
  • ::
  • Vagina Bison
  • Self Titled
  • (2010, Cassette)
  • PR001
  • ::
  • Induced Labour
  • Self Titled
  • (2010, 7″)
  • PR002
  • ::
  • Gay/White Suede
  • Split
  • (2010, 7″)
  • PR003
  • ::
  • Suitcase Sam
  • Get It To Go
  • (2010, 7″)
  • PR004
  • ::
  • Pleasence T-Shirt
  • PR005
  • ::
  • The Soupcans
  • Erotic Nightmare
  • (2010, 12″)
  • PR006
  • ::
  • Sexy Merlin
  • Self Titled
  • (2011, 7″)
  • PR007
  • ::
  • Gay/Sexy Merlin
  • Self Titled
  • (2011, 7″)
  • PR008
  • ::
  • Young Guv & The Scuzz
  • Bedroom Eyes b/w Rumors
  • (2011, 7″)
  • PR009
  • ::
  • Tropics
  • Pale Trash b/w Earmarked
  • (2011, 7″)
  • PR010
  • ::
  • Huckleberry Friends
  • Vision b/w Disaster Keyz
  • (2011, 7″)
  • PR011
  • ::
  • The Pink Noise
  • Gilded Flowers
  • (2011, 12″)
  • PR012
  • ::
  • Man Made Hill/Young Truck
  • (2011, 12″)

July 20th, 2010

Video :: Pink Noise – Wild Love [Dir. Emily Pelstring]

Pink Noise
Wild Love
[Directed By: Emily Pelstring]
Montreal, QC
::web/visuals::


From the Betamax catalog of Aaron Levin:
The shrieking energy behind Futensil emerges with a beautifully shot black-and-white visive for Montreal’s most bewildering basement conjuror, Pink Noise. Emily brilliantly captures Pink Noise’s wyrd cabaret via Residential eyeballs flickering between blurred belly dancing and a wicked multi-limbed goddess. A++++.

July 13th, 2009

Review :: The Pink Noise – Dream Code

The Pink Noise - Dream Code The Pink Noise
Dream Code
(Sacred Bones)
Montreal, QC
::web/sounds::

The Pink Noise’s first full-length takes off from the early-80s minimal synth scene and molds the sound into something entirely post-00. The strange mix of basement-macabre, drum machine lonertude, and red-line reverb, definitely command your attention as he weaves through echoing layers of game-show-organ-grinding and digital-tropicalia-minimalism. The squid on the cover is certainly apt; you will be pulled in every direction and forced to confront the boundaries of musical genre. Or it’ll all just sound like a messy teenage bedroom.

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The Pink Noise – Put On

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The Pink Noise – Cobra Snake

July 5th, 2009

Review :: The Pink Noise – Menagerie

The Pink Noise - Menagerie The Pink Noise
Menagerie
(Jerkwaves)
Montreal, Quebec
::web/sounds::

In the 70s Kenneth Higney sold his big-rig to release one of the strangest downer-rock adventures the private-press universe has to offer. Thankfully, The Pink Noise share no audible similarities to Higney other than the enunciation and cadence of the singers voice. This resemblance is a positive, albeit strange aspect of the Montreal trio and it’s exciting to hear that style of singing over beds of distorted, disjoint drum patterns, eerie organs, and busted guitar lines (instead of the wasted hard-rock riffery of Higney’s Attic Demonstration). This is The Pink Noise’s third release and shows them shifting from the weird-punk interpretation of the 80s minimal synth scene into a bizzare lo-fi cabaret of the wyld. From meandering, reverb-drenched lollygagging to reggae laced post-punk. It’s warbly, it’s warm, and it’s wonderful. Canada needs more imaginative figures like The Pink Noise.

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The Pink Noise – Sweet Hearts and Super Creeps

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The Pink Noise – Wings of Love

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