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May 15th, 2012

New Canadiana :: Dave Smith – Dave Smith

Dave Smith - Dave Smith
Somewhere between a Canadiana Jandek, or a tone-deaf Neil Young, prairie-born Dave Smith drops a few of his strongest Going Down the Road-styled slices. Smith’s jams are often nothing more than tape buzz and harmonica-folk devolving into windy noise but with enough personality to shame Shotgun Jimmie into submission. Man of the land.

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Dave Smith – Crowfoot’s Grave

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Dave Smith – Wheat Pools

April 11th, 2012

New Canadiana :: Ollie North – Lindenfels EP

Ollie North - Lindenfels EP
Heady, meditative northern-folk excursions bind Ollie North’s sophomore EP to a deeper, holographic mood. Strange visions extol the steel-picked perturbations as distorted vocals quiver between grooves of acoustic mellow. A strange and welcomed occurrence within the haloed streams of the folk ritual.

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Ollie North – Aurochs II

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Ollie North – Lindenfels

December 6th, 2011

New Canadiana :: Jessica Jalbert – Brother Loyola


Deep within Canada’s tundradic core lies a lush gully of acoustic majesty. As these warm vibrations pierce the embittered cold, their very migration needs a soundtrack; hymns to carry us while our ancient graves turn barren lives to eternal dust. While the sky turns Paris Green and our eyes drift softly into slumber, Jessica’s hymns persuade; Brother Loyola‘s warmth and gorgeous mellow shall swallow us in a liquid sun of minor-key mourning. The cover says it all: grip.

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Jessica Jalbert – Paris Green

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Jessica Jalbert – Necromancy

December 5th, 2011

New Canadiana :: Matthew A. Wilkinson – Namers

Surprise grip of the year. Softly diffusing from the northwestern margins of the Swan City (Grand Prairie), Matthew A. Wilkinson has upended Weird Canada HQ with his numinous folk incantations. Wordless murmurs melt into wasted drum circles, twinkling pianos and bent acoustic chant, as this boreal basement ritual summons malevolent deities of wavering gender. Songwriter, filmmaker and maybe even oracle, Wilkinson wields an unruly power. Lend him your ears.

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Matthew A. Wilkinson – Hand Over Hand

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Matthew A. Wilkinson – Like This

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Matthew A. Wilkinson – Yes, My Knees Say

November 9th, 2011

New Canadiana :: LOOM – Epyllion

After several iterative imaginations, LOOM’s hypnotic perturbations are wholly realized within Epyllion‘s twilight embrace. Tenuous cinders warm the mesmeric dissonance embedding LOOM’s succession into dactylic grace and splendid nylon minimalism; a transfiguration well worth Epyllion‘s meditative endurance. Existing in a plane beyond idyllic notions of folk, pop, and mellowtude, the album emerges between disparate walls of sinusoidal classification, unveiling the lingering ashes of lysergic ritual. Grip gently.

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LOOM – There is Blood in My Body

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LOOM – Is It Love

September 22nd, 2011

New Canadiana :: Chief Thundercloud – June Street

A collected batch of strung out six string slumps, some barely audible and some blown-out noisy, sewn together to give a rough impression of Chief Thundercloud’s inner demons. At times so very close and personal, it feels like listening in through a door crack to your roommate playing silently. Side A holds 19 short originals and the B side is 12 surprising, hollowed-out cover songs, ranging from the Spice Girls to CCR to the most uncool, anti-wanker version of Freebird ever recorded.

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Chief Thundercloud – Almost Gone

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Chief Thundercloud – Freebird

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Chief Thundercloud – Stuck Underwater

August 16th, 2011

New Canadiana :: Rebecca’s Room – The Burned CD II

With wild strokes of coloured psychedelia, Rebecca’s Room return with another lazer-graphed tome brimming with pop-lysergia. Languishing within their popular bedlam, the bedroom-laced mono-pop sizzles with uncanny waves of Eastern abandon; Dylonian moves displaced by a wicked array of tabla pounding beneath the devil’s anvil. A ridiculously curious leap forward for the New Waterford native. Deft grippage, please.

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Rebecca’s Room – Happiness Rings

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Rebecca’s Room – Song Bird

May 6th, 2011

New Canadiana :: DoT – Mizz Teviak

Jesus, I wish I liked whiskey. A slow glass of the smoky stuff, a rocking chair, and DoT’s Mizz Teviak wafting from the victrola: that’s how this summer’s sweltering twilights should look. Too bad I hate hard liquids, and this album isn’t on vinyl — it’s exactly the kind of dusky, slack-jointed folk that the occasional needle-pop could only accentuate. Without reaching outside of an acoustic palate, DoT does everything from syllable-splitting yarns to softly swirling paranoiac melodies to wurly kitsch. Compounded, these tracks will have you mesmerized on your porch, too heavy-lidded to slap the mosquitos eating your flesh. Bliss.

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DoT – Jimmy Jump

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DoT – October Afternoon

April 26th, 2011

Ephemera :: Jennifer Castle on Castlemusic

At the wintry tail of 2010, Toronto’s spook-folk minstrel Jennifer Castle teamed with the ever-enigmatic Wyrd Visions for a stunningly beautiful 12” split. Four months later, Calgary-based boutique label Flemish Eye gives us the follow-up, an expanded excursion through the wardrobe and into Castle’s enchanted kingdom. Accentuating pillow-soft vocals and delicate finger-plucks with flourishes of pedal steel, organ, medieval flute and signature fusion instrument ‘the guitlele.’ Castlemusic casts a spell you won’t want to counter. In line with the site’s physicality m.o., Weird Canada asked Castle to take part in the inaugural edition of our latest feature ‘Ephemera’, assembling a shrine of totemic objects that played a part in the album’s creation.

Feel free to listen to these two tracks from the album while you peruse the images below (which you can click for larger versions). The accompanied text was provided by Jennifer Castle. We’re very grateful to Jennifer, David Clarke, Ian Russell (Flemish Eye), and Landon Speers (photos) for this very special feature.

Jesse Locke
Weird Canada // Texture Magazine
weirdcanada.com // texturemagazine.ca/wordpress

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Jennifer Castle – Neverride

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Jennifer Castle – Powers

(click to enlarge)
Shrine
[Photo Scan] :: Jennifer Castle's Shrine (Cred. Landon Speers)

This is a shrine dedicated to the experience of making and releasing Castlemusic. It’s built on the piano I was given for my birthday two years ago and began writing on for the first time. “Way of the Crow” was one of the first songs I wrote on it.

Conch + Photo

This conch came from a small beach in Jamaica, just west of Kingston towards Black River, that I brought home for luck this winter. It’s a place with a rough and protective ocean, a hot and exhausting desert and a lush and inviting jungle all within a few minutes of each other. It has the best food in the world, positive vibes and uplifting friendliness. The ink portrait is of an old friend — a Jamaican immigrant himself — my late dad, Peter L. Castle. R.I.P.

Sage

This sage was bought from a man on commercial drive a year and a half ago while waiting for my sound check on a tour I did with Chad VanGaalen. It’s on top of my Harvard Reverb amp, which has the loudest buzz and is inappropriate to record with, even though I do.

1969 Harmony Rocket + Castlemusic Art

This 1969 Harmony Rocket guitar is well loved despite being almost nothing but problems. Then there’s the Castlemusic record itself, the cover of which is a photo of the arresting painting, DRAWBACK, by artist Mira Dancy . It’s an image so deep that no matter how much I think I know it I look again and realize I know nothing about it.

1969 Harmony Rocket + Castlemusic Art

This is my Yamaha guitlele that I tour with sometimes because it’s so light. It sounds awesome with a contact mic and a haze of distortion. I used it to record the song “Neverride.” Most think it’s a ukulele, but it has enough bass to keeps it grounded sounding.

Kom Jung BBQ Pork

This dish comes from Kom Jug, the BBQ pork joint across the street from 6Nassau where we recorded the record. It’s the food Dave Clarke lived on ($4 for a HUGE order) but that our engineer Jeff McMurrich wouldn’t touch with a ten-foot pole.

Magic Combo

For this magic combo, there are no words.

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April 14th, 2011

New Canadiana :: B.A. Johnston & The Magnificent Sevens – George The Animal Steele

I’ve seen B.A. Johnston’s live show over a dozen times and I’ve yet to grow tired of it. In the truest sense, B.A. Johnston is a traveling karaoke time-machine doing at least two coast-to-coast Canadian tours a year, playing in all the towns most bands are unable (or unwilling) to crack. B.A.’s audience ranges from alley-living crust punks to the upper-class indie elite, and he does it almost 100% DIY with little or no push from outside sources. The sheer magnitude of what B.A. Johnston has accomplished by delivering the goods at every show and inimitable work ethic is astonishing and worth note. On this, his first 7” on Transistor 66, Johnston teams up with Winnipeg’s Magnificent Sevens (road warriors themselves). Together, they give Johnston’s comedic balladry a hearty bluegrass backing. The four songs on this 7” find Johnston in his full-on unlovable troll mode, packed to the brim with obscure pop-culture references and moments of unexpected sweetness. There’s much to learn from this.

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B.A. Johnston & The Magnificent Sevens – George The Animal Steele

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B.A. Johnston & The Magnificent Sevens – I Love It When You Dress Up

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