Search Results for "bart records + jesse locke"

New Canadiana :: Knots – White River of White Lies

KNOTS-White River of White Lies

The illustrious Neal Moignard returns with a stirring collection of close-miked rumination. Between bookends of steely grey sound-art (the likes of which he’s produced with fellow whiz-kid Craig Fahner) delicate strums, hovering hums and heartfelt sing-speak drift through earthly metaphors. A recorded appearance as rare as Wyrd Visions with sleeve art like NNA Tapes in reverse, White River of White Lies is another crucial offering from the widening arms of Bart Recs.

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Knots – Blush

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Knots – The End By Foot

Ephemera :: GreyScreen on Thrillogy

Ephemera :: Kevin Stebner - The Man, The Myth, The Legend of Zelda
Kevin Stebner is the only guy we know who can fit his gear into a lunchbox. While he wears many hats — Bart Recs / Revolution Winter founder, Stalwart Sons howler and Ghost Throats head stoker — his chiptune project GreyScreen is the focus of this particular feature. Jamming harder on his GameBoys than most can with a Stratocaster, Stebs charges the Nintendo kingdom full steam ahead. On his recent trip to support the new tape Thrillogy, we linked him up with WC’s resident lensman Landon Speers to spotlight some essential tour items.

Jesse Locke
Weird Canada // Texture Magazine
weirdcanada.com // texturemagazine.ca/wordpress

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GreyScreen – No East Or West

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GreyScreen – Deer Into A Noose

(click to enlarge)
Game Boys
Ephemera :: Kevin Stebner - Game Boy

As with many chiptuners, having a stock of Game Boys is your bread and butter. That Game Boy Light right there, though… that’s my pride and joy; a Japanese exclusive backlit Game Boy that I managed to track down at the legendary Super Potato in Akihabra. That was a holy grail find for me. Nowadays, we backlight-mod these things so you can rock them in the dark (as is that yellow DMG there), but even with the buzz the Game Boy Light puts out, I’ve got a soft spot for that thing.

Permastruct / Lunchbox
Ephemera :: Kevin Stebner - Permastruct + Lunchbox

With the 4×12′s I normally haul around for bands, it’s nice to pack your entire set-up into a single lunchbox. Ride the Via with nothing but a backpack and lunchbox in tow. The Permastruct cases were from NES rentals from Hollywood Video back in Red Deer. Such a bittersweet moment going to that closing-out sale; my favourite video store was closing its doors, but I managed to snag a ton of gems before it did. Permastruct became the title for the first GreyScreen tape.

Power Glove
Ephemera :: Kevin Stebner - Power Glove

Got this on the tour. Major gift from a major pal. Any child of the Nintendo generation should know what this, and chances are you wanted one with every fibre of your being. You saw Lucas in The Wizard, and you most certainly wanted to be him. This Power Glove is for the Famicom (Japanese NES) and I’ve only just recently managed to work it into the set and utilize it live. I love the Power Glove… It’s so bad.

Robert Kroetsch Novels
Ephemera :: Kevin Stebner - Robert Kroetsch Novels

Keep your enemies close, but keep Alberta closer. The absolute brilliant and hilarious Robert Kroetsch, my favourite writer ever to emerge from Alberta. Studhorse Man in particular. No resounding ovations from the world at large, even with his passing this past year, but to me he is such an inspiration. It speaks more to the attitude of being an artist from Alberta, to simply keep making good things, and hope that some kid discovers it. May his legacy live.

Anti-Nukes Pin
Ephemera :: Kevin Stebner - No Nukes Pin

The welcome sign to my hometown reads “Welcome to Red Deer / A Nuclear Weapons-Free Zone.” I’ve always been a strong contender of singing and wearing where you’re from, reflecting your place, your community, your family, your actual culture. In an age of internet world-wide universalism, the notion of regional situation and pride is waning. Since I’ve lost my “HI, I’M FROM RED DEER” pin, this will do as a close second.

Red Apple Arizona Iced Tea
Ephemera :: Kevin Stebner - Arizona Ice Tea

Dubbed ‘Zonas by us in the know. Arizona is the only company I have ever written a fan letter to (wherein we received hats for being “super fans”), and subsequently when they discontinued Red Apple in Canada, a complaint letter. Red Apple may be the greatest liquid ever to grace my throat – nectar of the gods – thus, being able to find them while on tour in the East makes the excuse to tour all the greater.

Dead-stock Trading Cards
Ephemera :: Kevin Stebner - Dead-stock Wrastlin' Cards

I found these crazy things while on tour at a wholesale liquor shop in Pittsburgh. The accusation is constantly, be it directed at chiptune or anything else tied to this by-gone era, that what we are doing is simply reveling in nostalgia. But the truth of it is that the late ’80s and early ’90s produced a “popular” culture that was so out there, one so transfixed on youth, in music, fashion, film, adventure, exploding video game technology, and especially a culture so irony-free, one where “radness” was all that was needed, that odd music could make it on TV or prairie-born heroes like the Hitman putting greasy shades on your face was the coolest thing in the world. Is it any wonder that a fascination of that era exists – to partake and respond and produce art and music out of such a rich and insane cultural heritage as that?

Featurette :: 2011 Wrap-Up

Since our great birthing in the spring of 2009, we have never bestowed upon the masses a curated year in review. We have our philosophical reasons (read: laziness), but 2011 was a special year and we’re hoping that 2012 will bring more change and triumph. In line with our continuous transfiguration, we would like to present a 2011 summary (of sorts). So, please, dig in. We hope you enjoy and can’t wait to share the mountains of boon scattered across our northernly paradise.

PS – Thanks to all our lovely writers for their hard work submitting all these beautiful trinkets of 2011′s glory. Additionally, my humble thanks to Jesse Locke for compiling everything and to Myke Atkinson for his layout advice.

Hearts,

Aaron Levin
Weird Canada
http://weirdcanada.com/

2011 Albums We Missed

More 2011 Albums We Missed:

Music From 2011 We Wished Was Released Physically

Other non-physical digitalia:

New Births Of 2011

Other newborns from the two-oh-one-one:

2011’s Most Memorable Album Cover

Other (hopefully not-so-garish) album covers:

2011’s Most Elaborate Packaging

More curiously packaged goodness:

2011’s Most Surprising Releases, Events And Ephemera

Other great minutiae of 2011:

2011 Release From The Most Obscure Location

  • Sutton, QC: Les Nitrates de Madame Mimieux – Rien n’est moins grave (Benoit Poirier)
  • Churchill, MB: A message from Taylor Burgess: “Hey, polar bear occultists from Churchill, get in touch with me already!” (Taylor Burgess)
  • Winnipeg, MB: Microdot – Lamps Not Amps (Paul Lawton)

    It used to be that Winnipeg was THE Canadian music scene, but it’s been pretty quiet over the last decade or so, and thus fairly obscure. Thankfully, The core group of musicians making up Microdot/Atomic Don and the Black Sunrise/Angry Dragons/This Hisses etc. will change that soon if releases like Lamps Not Amps have anything to say about it.

2011’s Favourite New Genre

2011’s Most Stoned Dudes

Other stoners of note:

2011’s Geographical Hotbed

Other geographs of note:

  • Lethbridge, AB (Mike Deane)

    Still!

  • Toronto, ON (Jesse Locke)

    Ha ha ha ha, no, seriously.

  • Saskatchewan (Taylor Burgess)
  • Halifax, NS (Benoit Poirier)
  • Halifax, NS / Truro, NS (Alison Lang)
  • London, ON (Pam Haasen)
  • The Internet (Gabriel Jasmin)

2011’s Most Face-Melting Video

  • Femminielli – “Atlantida” – (Simon Frank)
  • 2011’s Softest Bands Not Related To THOMAS

    Other softness:

    • Doc Dunn, Sundrips, and Bruce Cockburn’s first album. (Jesse Locke)
    • “The only soft I listened to is THOMAS. All others need not apply.” (Mike Deane)
    • Softcore, obvs. (Taylor Burgess)
    • Lab Coast (Jean Sebastien Audet)
    • “Gross.” (Paul Lawton)
    • Headaches (Pam Haasen)

      Well, I guess that’s arguable, but we like the softest moments of Land-o!

    • “All soft leads to THOMAS.” (Aaron Levin)
    • Jennifer Castle (Gabriel Jasmin)

    2011’s Youngest Bieber-Not-Bieber

    Other non-Biebs:

    New Canadiana :: Various Artists – Dad Jamz

    From concept to cassette, Dad Jamz is a gas. This cheeky comp finds the bands of the Bart Records and Revolution Winter clan tackling FM staples of the late ’70s – early ‘80s soft-rock epoch with varying results of ridiculousness. Amidst choice picks from Queen, Kansas, Motörhead and Dire Straits (Slates’ “Walk of Life” is a standout), label flagship Stalwart Sons crowd surf Kiss/Argent’s “God Gave Rock ‘N’ Roll To You” with original lyrics across seven guitar-squealing minutes. Gyre Spire and Spindle deserve props for taking on Kim Mitchell’s perpetually unhip anti-drinking anthem “Go For Soda”, while Auld Beak clearly have love for Bruce Cockburn deep down. Polina’s straight-faced Rush cover is a winner, and WC fave Sans AIDS could make even Bachman and Cummings shed a tear.

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    Auld Bleak – Lovers in a Dangerous Time

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    Sans AIDS – These Eyes

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    Polina – Fly by Night

    Review :: Fuck The Tundra – Grin Diesel

    Fuck The Tundra
    Grin Diesel
    (Bart Records)
    Edmonton, AB
    ::web/sounds::


    From the teen steamings of Jesse Locke:
    Midway through their final set at the Bart Records showcase for Sled Island 2010, Fuck the Tundra’s hyperactive frontman pushed the crowd back, tucked to his toes and hucked a massive flat ground back flip. That gymnastic feat was impressive enough, yet it was still overshadowed by a pitch-perfect performance of all six songs from their debut cassette, one of this year’s most jaw dropping releases. Throughout Grin Diesel’s succinct 16 minutes, the quartet tears into 31G-style post-hardcore with pulse quickening drum fills, spidery dueling guitars and mathematical change-ups, all peppered with their bizarre sense of humor. Most surprising is the serenely summery yet still mathy instrumental “Eliminator Boat Duel,” an ear-pleasing interlude amidst the chronicles of ridiculous.

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    Fuck The Tundra – Gintro

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    Fuck The Tundra – Eliminator Boat Duel

    Review :: North of America – 12345678910

    North of America
    12345678910
    (Bart Records)
    Halifax, NS
    ::web/sounds::


    From the North of America fanboydom of Jesse Locke:
    Other than the guy from Japan who flew to Montreal for their final farewell show a few months back, Bart Records founder Kevin Stebner is quite likely the biggest North of America fan on the planet. Standing next to Stebs at said gig, I was regaled with anecdotes and factoids regarding the members’ current day-jobs, how he caught them live in Europe and just how stupidly excited he is to have now released a rarities compilation from his all-time favourite band. Along with other comp tracks and the previously unearthed jam “Hot Work,” side A is culled from the same sessions that produced NoA’s swan-song LP Brothers, Sisters (a serious tour de force if you’ve never had the pleasure). From the pulverizing guitar-work and clockwork-calculated percussion of barn burners “Beyonce”, “Hate The Player” and “We Had To Call Your Parents” to the slower tempo heart-on-sleever “I Like Everything This Much” and curious electronic interlude “Let’s Get Glitch,” 12345678910 is veritable Mana for Maritime math-rock devotees. Somebody update the wikipedia

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    North of America – Let’s Get Glitch

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    North of America – Hate The Player

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    North of America – I Like Everything This Much

    Review :: Grown-Ups – I Can’t Win

    Grown-Ups
    I Can’t Win
    (Bart Records)
    Calgary, AB
    ::web/sounds::


    From the post-pubescent sludge of Jesse Locke:
    From The Cramps (radical) to Mates of State (barf) to the Plastic Ono Band (radical barfing), musical married couples are nothing new. However, what sets thee Grown-Ups’ Sara and Josiah Hughes apart is that they’re cuter than a pair of bulldogs on snowboards that know how to turn up the rock and turn down the suck. Joined by third member/producer Darrell on “dad guitar” (nice Conchords reference, guys), they’ve now teamed with the almighty Bart for tape release number two. Eight songs of angry punk sludge that sound just as pitted as their debut but now with more Crazy Horse guitar solos (see: opener “Meat”) and Art Brut-esque motivational meta-songs (see: “Start A Band!”). This is the soundtrack for the skateboarding video game you invented in your brain. The musical equivalent of a cherry-coke slurpee with a stolen chocolate bar tucked in the cup. The creepy-lovable cover photo rules too, but I really just wish it was a drawing of Odie crossed with Jughead.

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    Grown-Ups – Meat

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    Grown-Ups – Start A Band!

    Review :: Various Artists – The Compilation of Hope!!

    Various Artists
    The Compilation of Hope!!
    (Bart Records)
    Asterisk, Canada
    ::web/sounds::


    From the compiled danglings of Jesse Locke:
    The Comp of Hope starts off with a serious wallop: the 1-2-3 whirligig of Vancouver’s Damages, Nova Scotia’s Minivan Halen (snagging the prize for Best New Band Name) and Toronto’s Place Hands, three groups with distinct yet equally imposing approaches to the post- / proto- / avant- / eff-it-let’s-just-get-rowdy hardcore continuum. Bart Records founder Kevin Stebner seems to favour the tuff gnarl stuff, with seven of the comp’s 10 acts setting their phasers to beatdown. From the spazzy attack of Abbotsford’s GSTS! to the rastafried “turbo jamz” of Edmonton’s Slates, Missisauga’s Whiskey Priest and unfuckwithable label faves Gift Eaters closing it off, this cassette could provide the perfect aggro soundtrack for any hesher’s backyard mini-ramp sesh. The softer side of weird Canadiana is also represented with the Strokes-meet-a-blown-out-Casio addictiveness of Swwords (the former project of this very site’s founder), Montreal’s math-pop dangereux duo Special Noise and a live jam from the inimitable dd/mm/yyyy. Another top-notch tape release from Bart, with awesome foldout liner art (front & back) from Calgary’s Heather Kai Smith.
    [Levin's Note: This has the most links of any review on Weird Canada. Which means you get to virtually travel across Canada, all thanks to Bart Records. Benjoy!]

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    Special Noise – Fitness

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    Minivan Halen – Epic

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    SLATES – blooloend

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    swwords – The Hit

    Review :: GreyScreen – Permastruct

    Greyscreen - Permastruct GreyScreen
    Permastruct
    (Bart Records)
    Calgary, AB
    ::web/sounds::


    From the GameBoy™-gripping hands of Jesse Locke:
    As far as music made on old school handheld video game systems goes, GreyScreen (a.k.a. Bart Records founder and retro pop culture fanatic Kevin Stebner) is the Michael Jordan of Caddilacs. The Charles Bronson of Chiptune? From the immaculate Value Village bargain bin packaging to the poetic RPG-inspired song titles (and of course the 8-bit chirps, burps and bleeps that make up these 22 songs), everything about GreyScreen’s debut tape reminds of a more innocent time spent agonizing over Alien Olympics 2044 AD in your parents’ basement. Of course, Stebs also uses modern technology like Nanoloop and LSDJ to concoct these micro-epics, but his DIY punk rock ethos is maintained all the same. Need more proof? Check his killer cover of Black Flag’s “Spray Paint” by downloading this comp.
    [Levin's Note: The world was so much simpler when everyone had a Gameboy™. All a we had to do was level-up and the monsters went away. How do the kids sleep at night today? Look back to the dot-matrix; listen to the trailing ends of MIDI; and always remember to keep a fairy in the jar. Poppa don't hit me no mo'.]

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    Greyscreen – The Sea in Jars

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    Greyscreen – Water Drawn from Wells

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    Greyscreen – From Heaven Fought Stars

    About

    Our Mission Statement

    Weird Canada exists to encourage, connect, and document creative expression across Canada.

    Our values
    • We are a space for artistic, literary, and musical enthusiasm.
    • We aim to connect the disparate communities that feed the creative cosmos of Canada.
    • We capture the physical ephemera that contains and surrounds art, literature, and music.
    • We welcome the makers of art, literature, and music who take risks and experiment.
    • We welcome excited minds.
    Our obligations

    We will treat all living beings with dignity and respect. We will listen to each other, and try to understand each other. We will challenge ourselves to be kinder and smarter human beings.

    We acknowledge that we are biased, and accept that our bias is not always visible. We strive to make this bias visible, and challenge our relationship with it. We do not tolerate racism, homophobia, misogyny, or any other body-based discrimination.

    We exist to encourage, connect, and document creative expression across Canada.

    Our movements should reflect our vision, and we will remain open to and excited about creativity and community.

    PS – This site exists to promote obscure bands; however, if any artist would like to have their mp3s removed, just contact us and they will be taken down promptly.

    we have a lot of fun playing with hyperbole.

    Notre mission

    Weird Canada a pour but d’encourager, de mettre en contact et de décrire les pratiques d’expression créatrice au Canada.

    Nos valeurs
    • Nous offrons un espace consacré à l’enthousiasme pour les arts, la littérature et la musique.
    • Nous tentons de relier les communautés disparates qui forment la constellation créative canadienne.
    • Nous répertorions les objets éphémères qui véhiculent ou qui complémentent l’art, la littérature et la musique.
    • Nous encourageons les artistes, écrivain-e-s et musicien-ne-s prêt-e-s à prendre des risques et à expérimenter.
    • Nous apprécions les esprits vifs.
    Nos obligations

    Nous espérons traiter tous les êtres vivants avec dignité et respect. Nous nous engageons à nous écouter les uns les autres et à tenter de nous comprendre. Nous nous mettons au défi de devenir des êtres humains plus chaleureux et intelligents.

    Nous reconnaissons notre partialité et nous acceptons qu’elle n’est pas toujours visible. Nous nous efforcerons de la rendre visible et de la contester. Nous ne tolérerons pas le racisme, l’homophobie, la misogynie ou toute autre forme de discrimination corporelle.

    Nous avons pour but d’encourager, de mettre en contact et de décrire les pratiques d’expression créatrice au Canada.

    Nos actions doivent refléter notre vision. Ainsi, nous resterons ouverts et enthousiastes en ce qui a trait à la créativité et à la communauté.

    P. S. : Ce site vise à promouvoir le travail d’artistes méconnus. Cependant, si vous souhaitez que vos fichiers mp3 n’apparaissent plus sur le site, contactez-nous et ils seront rapidement retirés.

    Nous nous amusons beaucoup avec l’hyperbole.

    Our Lizard Government

    Weird Canada employs an elite oligarchy to manage our beautiful contributors. Their enduring quest to unearth the tiniest of Canadian gems is shaped, managed, and molded by an aristocracy of (currently) five.

    Aaron Levin

    Aaron Levin enjoys math, rare records, code, hyperbole, enthusiasm, and ephemera. He holds a Masters degree in pure mathematics, acheived by extending the Perron-Frobenius theorem to Semigroups of Positive Operators on Order-Continuous Banach Lattices. Deal with it.

    Marie is a maker and a truth seeker. Between the beats of her own drum, she finds a secret time to oil the cogs of Weird Canada.
    Jesse Locke

    On top of his daily activities at Weird Canada, Jesse writes about music and movies for Noisey, Offerings, Fast Forward Weekly and his pet project Texture Magazine. He occasionally releases cassettes through the label Planet of the Tapes, and has played drums for bands like Dirty Beaches, Feel Alright, Silver Dapple and too many more to list. He lives in Toronto with his wife and a pair of cats named Pizza and Crumbs.
    David Steinberg

    David Steinberg is the proud owner of a Vancouver Public Library Card. He spends his time brewing beer at the Toast Collective, teaching mathematics at the University of British Columbia, and biking to & from his favorite used books stores. He likes lists, the Oulipo, and putting the grapes in his mouth all at once.
    Amy Macdonald

    Amy is a longtime Weird Canada lurker turned active volunteer. She lives in Montreal, where she’s inches away from completing her M.A. and metres away from the best breakfast in town (Vieux Vélo!). She’s yelled, whispered, fluted, keyboarded, and guitared for various bands and friends in Montreal and Edmonton.

    Translation

    All praise Vincent Rondeau, Nicolas Coutlée, and Alexandre Vaillancourt. That is until they: a) translate this page and b) send us a bio.

    Contributors

    They are the bread and butter of our organization. Without their labour we would be null.

    Gabriel Jasmin lives in Montreal. He is a visual artist, freelance graphic designer, musician in different forms and formations, and general culture enthusiast. Addictions include (but not limited to): bagels, records and tapes, facebook, mom’s home-made soup, Twin Peaks, procrastination and strong black coffee.

    James can be found working in and around the offices of CHMA 106.9FM in Sackville, NB, where he is completing a BA in Philosophy. Besides radio, his interest in independent music has taken the form of a house venue, a research project on touring and social networks, and the occasional DJ set. Otherwise James spends his time contemplating a more egalitarian future and worrying about recession-era employment opportunities.

    Collaborateur à Bande à part, Benoit a découvert ses sentiments sur la route 132, à quelque part entre Trois-Pistoles et Gaspé. Il est plus sensible à l’effort et à l’intention depuis, et nourrit le dessein de découvrir le beau dans le brut et le nouveau. / Benoit found out about his feelings while he was driving on route 132, somewhere between Trois-Pistoles and Gaspé. Since, he’s been more sensible to effort and intent, and feeds the purpose of discovering the beauty in the raw and the new.
    Johnnie Regalado

    Johnnie Regalado is Program Director at CFUV 101.9 FM in Victoria, BC where he and other crusaders champion the Waaay West Coast music scene. He produces a studio performance video series out of the radio station’s tiny basement closet and hosts a weekly program of hot & fresh tunes to get you cooking: Music to Make Dinner By. When he’s not trying to revolutionize the music world he’s checking hockey stats or re-watching The Wire.
    James Lindsay

    Born and raised in the east end of Toronto, James Lindsay is a record collector, bookseller, Offerings contributor, and poet. When he’s not doing any of that, he is also the co-owner of the vinyl and cassette label Pleasence Records.
    dave
    • David Ferris
    • Contributor // Black Lodge Recruiter
    • (Edmonton, AB)
    • w: Stabmonton
    • e: ferrisdav [at] yahoo [dot] com

    Dave is an Edmontonian via The Barren North. He slings sticks and twiddles knobs in a few bands, such as Taiwan and Congregations. He owns nine bicycles, watches Twin Peaks far too much, and is also a highly accomplished wizard. He sporadically updates a bunch of Albetra-centric crap on Stabmonton.
    Christopher_Laramee

    Christopher Laramee has written about Saskatoon and area music for quite some time in local rags and for local community station CFCR. He also plays music in Wasted Cathedral, Shooting Guns, The Foggy Notions and Golden Smoke. He claims to be unemployable, eats broken gin bottles and typewriter ribbons for sustenance, and thinks Flipper’s Public Flipper Limited album is one of the greatest works of art of the 20th century. Really.
    GL_WC_BIO_PICO

    Graeme is a co-owner/operator of Psychic Handshake Recordings and plays guitar in The Pink Noise. He holds a graduate degree in Film Studies and Information Science.

    Zachary lives in Philadelphia, he plays in a rock and roll band called Lantern. Previous musical ventures were Omon Ra and Omon Ra II. He was born in Halifax Nova Scotia, Canada and raised in a place called Musquodoboit Harbour. He briefly lived in Montreal. He likes interesting people, good food, and nature. He holds a degree in composition and has written papers on Japanese Noise and Black Metal.

    By day, Jessica works as a human sponge for consumer rage. However, when she finishes up at the call center, she also writes for Coke Machine Glow, posts occasional bad musics on MySpace, and plays drums with all who will have her. She lives in Vancouver (viaMontreal, via Toronto, via Edmonton) and likes sleeping late, wheat beer, and east-facing windows.
    • Jared Majeski
    • Contributor // Workin’ man
    • (Edmonton, AB)
    • w: Krang
    • e: jared.majeski [at] gmail [dot] com

    Born in Fort Saskatchewan, AB, Jared went to Catholic school, grew up listening to Dwight Yoakam and traded pucks for Dubble Bubble at Junior ‘A’ hockey games. A lost child from the 60s trying to find his way an even more confusing future, to Jared, non-mainstream music – of all sounds, tones and modes – is the only true beacon. An actual Edmontonian for some time now, he plays drums in heavy dad-blues group Krang and twangs and croons for good-time rock trio Bonspiel. Dislikes include the series comma. His favourite baseball player is Kelly Gruber.
    Bryce

    Bryce grew up (mostly) on Vancouver Island. He lives on the Mainland now, where he writes short stories and once in a while gets out to see people play music. His dream is to one day run a sanctuary for post-menopausal laying hens.

    Mike Deane is a novice record collector, intermediate writer and advanced music enthusiast. Hailing from rural Ontario and now in Edmonton via Montreal, he plays in bands when he wants, reads when he can and listens always. He has a show on CJSR radio in Edmonton, writes for local arts rags and struggles at playing a variety of instruments.

    On Saturday mornings, Pam and her sig. other Mikey host a radio show called Bill Murray at UWO’s station CHRW. She also writes for the online/print magazine London Fuse, and has seen Serial Mom 17 times.
    Greg
    • Gregory Pike
    • Contributor // Ne’re-do-well
    • (Montreal, QC)
    • w: @GGRPike
    • e: gregory [dot] pike [at] vice [dot] com

    Gregory can usually be found brandishing a Colt 45 at one of Montreal’s many west-end crust squat shows and gatherings. When he’s not busy returning said empty forty-ounces to his local dépanneur so that he’ll have enough change to subsist on ramen noodles, he writes for VICE Canada.

    Taylor Burgess is the editor of Stylus Magazine, drums in the ironically-named band Softcore, and has a plethora of notebooks full of crazy shit he hardly shows anyone because few people like the ramblings of a self-involved stoner. Due to unfortunate magikal happenings, Mr. Bourgeois is stuck in Winnipeg, but contrary to popular Kanadian opinion, he finds it gets more interesting, surreal, and wacci the longer he stays there.
    Kevin Stebner

    Kevin Stebner is the source of stoke behind musical projects like Stalwart Sons, Cold Water and his chiptune single player mode, GreyScreen. As if that’s not enough, he is also the founder of Bart Records & Revolution Winter, a cassette and vinyl label with a steady stream of life melting jams.
    Kevin Hainey
    • Kevin Hainey
    • Contributor // Hainey!
    • (Toronto, ON)
    • w: Inyrdisk
    • e: kevin [dot] hainey [at] gmail [dot] com

    Hi, I’m Kevin Hainey. Writer, filmmaker, musician, visual artist… Currently living in Toronto, where I run the Inyrdisk private press label, write fine literature, and generally hope for the best. Proud former member of Disguises, The Pink Noise, and Cave Dudes.
    Max Cotter
    • Max Cotter
    • Contributor // Lester Bangs 2.0
    • (Toronto, ON)
    • w: new .WAV
    • e: max [dot] cotter [at] ryerson [dot] ca

    Born in Halifax, Max has spent the bulk of his years occupying the record stores, venues, and studios of Toronto. He hosts and produces two radio programs – one focusing exclusively on the vinyl medium, the other revolving around new Canadian music. He enjoys writing, recording, producing, and listening to music.
    • Mark Teo
    • Contributor // True Skram
    • (Calgary, AB)
    • w: FFWD Weekly
    • e: themarkteo [at] gmail [dot] com

    Mark Teo is likely running away from something, having spent the decade moving between Toronto, Montreal and Halifax. Currently a fake Albertan, he’s the music and film editor at Calgary’s Fast Forward Weekly, and the biggest emerging voice in hobo-lit since Jim Tully (note: that’s a complete lie). Other interests include accidental veganism, kite flying, bike riding and recording never-see-the-light-of-day Garageband songs.

    Alison Lang is a new Torontonian and a proud Taurean. She previously spent the past five years in Halifax soaking up beautiful music and Propeller beer, in that order, and has written about the Halifax scene for The Coast weekly, Exclaim!, Tom Tom Magazine, Openfile Halifax and a few others. She also spent three years in the Plasmatics-inspired cheese-rock outfit Cobra Camaro. She is currently a jobless hack.

    Brandon spent his formative years in Dundas, ON jamming in basements and around campfires, dreaming of a Spacemen 3 reunion tour and wearing out a VHS copy of MBV videos. He then moved to Toronto to study film and philosophy which naturally led him to a brief career of teaching english in Tokyo. After travelling extensively in Asia, studying music and confronting innumerable dangers to score obscure records, Brandon returned to Toronto where he runs Polyphasic Studios, a recording studio focused on electronic and experimental music, and its sister label Polyphasic Recordings. He also weaves disco magic as part of Invisible City Sound System and dubs-out under the alias Grand AM.

    Tobias Rochman is of the opinion that New music & new ideas need to build a new audience by new methods. He is willing to help out with this aim whenever possible, through whatever means necessary. And with this in mind he hosts the weekly radio program SLANG KING on Viva Radio, writes occasionally for VICE and is one of the founders and co-organizers of The Obey Convention Music + Arts Festival in Halifax, Nova Scotia. Now, Weird Canada provides him with the opportunity to share his love of the vibrant, unique and always expanding Canadian underground with the world.

    Chris recently relocated to Toronto after claiming to have “gripped every Mighty Pope LP in Edmonton”. Occasionally, he is fueled by some inherent librarian desire to collect, document and preserve musical artifacts that may otherwise go ignored, but mostly he just wants to swim. He still loves Edmonton a whole bunch. He is currently looking for name suggestions for a blog wherein he and his friend review the AFI top 100 films while working at a video store.

    Paul K Lawton plays in a couple bands (Myelin Sheaths / Moby Dicks / Square Waves), has a record label that puts out records (Mammoth Cave Recording Co.), teaches courses in Digital Culture and Media Studies at The University of Lethbridge, and is trying to complete his PhD. He has a lot of records and was once McSweeny’s subscriber of the month.

    Alumni

    All dogs go to heaven

    Jenni is a music student that doesn’t let academics get in the way of her education. In her spare time she enjoys digging through the folk/trance musics of her heritage and playing in a variety of musical weirdness with Old Ugly. Past projects include Illfit Outfit and DB Buxton Revue. Other interests: gardening, gender, bikes, eats, and spamming the Weird Canada facebook page.

    Jarrett Evan Samson lives in Vancouver, plays in some bands (Role Mach, Shipyards, Star Tropics, Korean Gut), and has a habit of releasing records and throwing shows under the Geographing banner. Other things he enjoys are watercolour paintings of houses, Doc Savage pocket novels and the writings of Bernard Heuvelmans. In 2010, he was punched twice for refusing to give fratboys high-fives.

    Joni Sadler has spent the last several years working at record shops, labels, and various arts magazines in her adoptive hometown of Ottawa. She is currently the music director at CHUO 89.1 FM and is also in the process of fighting her way through a Master’s degree in communications. In her down time, she can usually be found making noise on drums, guitar, or bass, although she’s not particularly good at any of them.