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December 2nd, 2011

New Canadiana :: Drainolith – You Paid For It b/w Deepwater, PA

Psychic Handshake digs deep within thee outernet to conjure this 7″ from AIDS Wolf git-hub Alex Moskos. Soaked in a bewildering avant-croonery, “You Paid For It” double-declutches into a ramshackle sinkhole of pinball shreddery, multi-throned oscillators and 8-bit digitalis. This transmigration through polyrhythmic hood jams continue as “Deepwater, PA” devolves into clamouring solos of synthetic marvel. A huge dub-tee-eff from all angles. Grip sic widdit.

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Drainolith – Deepwater, PA

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Drainolith – You Paid For It

November 2nd, 2011

New Canadiana :: Sexy Merlin – Sexy Merlin

Forget about drum ‘n’ bass, this is drum ‘n’ drum. Sexy Merlin (the man on the traps for Foxfire, Mausoleum and White Suede) is a one-man Liquid Liquid, jamming the urban gamelan like it’s his birthday and the sticks are made of glitter. This mad (wizard) hatter freaks the funky beat and leaves witches grinding in the coven. Bold moves from Pleasence and seven inches of high fidelity bamboo bangers.

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Sexy Merlin – Shannon

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Sexy Merlin – Charlotte

October 31st, 2011

New Canadiana :: Solids – Fog Friends b/w Blown Out

Excelling at a peculiarly potent bittersweet strain of end-of-the-movie, think-about-your-life-during-the-credits alt-rock, this 7” by Montreal powerhouse duo Solids cements their role as forerunners breathing fresh air into an aging genre. Here, Montreal’s premier production alchemist guru further magnifies their vigorous roar, and polishes the B-side’s neatly discordant harmonics to a glimmer unheard on their previous outing. 500 copies pressed on timely Halloween orange vinyl.

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Solids – Fog Friends

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Solids – Blown Out

October 24th, 2011

New Canadiana :: Dirty Beaches – Lone Runner b/w Stye Eye

Plodding along the unending hallways and caves of life, we lust for the sedatival inspyrations of happiness slung to the souls, throats and pasts of others. Alex Hungtai stars as Dirty Beaches and has for the past few years laid bare the minimalism that the over-saturated (that’s you!) and inundated generation(s) crave. This new 7” (the haunting “Lone Runner” and a reissue of “Stye Eye”) lets you slink into chicken wire honky-tonk darkness; like reverberated leather, Bakersfield-cum-Nayshville yelps all set to a comfort-drug soundtrack. With two, sometimes three psychedelic tongue-wagging crooners and percussive mutants as accompaniment, it’s time for you to think less, listen more and step out from behind that beautiful shell into the great divide.

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Dirty Beaches – Lone Runner

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Dirty Beaches – Stye Eye

October 3rd, 2011

New Canadiana :: Ketamines – Line by Line 7″

Sugary sweet melodies and psych-punk explosions collide, creating a perfect distillation of Nobunny bubblepop and Wicked Awesomes-styled monotoned haunt-rock. You’re immediately drawn into a comforting K-hole, where you’ll ingest a lethal cocktail of melody and hooks that is 2011’s twee-punk single of the year, “Line by Line.” The deceptively sweet opener (Note: The lines they sing about aren’t lines of poetry) is just the start of a slippery slope. Hooks get buried, melodies get blurred and the atmosphere gets murkier as the 7” progresses, bringing a depth and range not normally seen on a debut. It’s time to let these Lethbridge abusers lead you through the Gateway. GRIP.

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Ketamines – Line by Line

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Ketamines – New Victims

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Ketamines – Dig

September 28th, 2011

Departures :: Ken Lewis – Cosmic Cars b/w Best Beat

Ken Lewis’ reverent cover of Cosmic Cars released in 1982, the same year as the original Cybotron 45, proves that people were almost immediately feeling Juan Atkins’ electric ripples just North of the assembly line. Released on Scorpio Records, home of countless dubious disco, boogie rap and dub records with peculiar provenance, Ken’s whip is more deluxe DeLorean than hot Spinner, his cruising spin more Grace Jones than The Normal. Although his version almost mechanically reproduces the original, it feels like a glossy photograph of a photocopy; the recording less raw and in-the-red, the drum machine less biting, the cold-creep synth noises replaced by a cold-sweat guitar riff. Still, Ken’s facsimile evokes a dystopian future, not the super-industrial cyber-sexuality of Cronenberg, but a world of simulacra coated in a vacuous veneer of replicated pleasures, like Ryu Murakami’s depictions of Tokyo. Still this record bumps and burns when played loud, so thumb a ride if you ever see this avant-coupe roll by.

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Ken Lewis – Cosmic Cars

September 14th, 2011

New Canadiana :: Thames – The Gift of Money b/w The Night She Became Me

Awake already walking with sideways sliding smiles. Dazed and drooping eyes. Wobbly liquid feet skating slick linoleum under overrun fluorescents. Again, the vaporous grinning at distorted non-beings. Eu-pho-ri-a! Dis-com-bob-u-la-tion… Crisp, murmured half-vocals, fighting with discernible lyrics amid slithering synth stutters, chugging radiophonic radiation, unbalancing new structures. Twin Infinitives broadcasting thru a black hole and out of Bermuda’s Triangle. The invisible route was about to collapse into ectoplasm. It’s only temporarily open every lunar quarter, so they’ve liberally recorded it from both ends. Simultaneously. And mixed it. Really well. Plunderfuckingphonics well. Double dip this 7″ with the new Fluorescent Friends tape, THAMES VOL XIV, n’ y’ can’t miss. They’re quite the pair. So are the two musicians here, Blake Hargreaves (Dreamcatcher, Clinton Machine, Cousins of Reggae) and Alexander Moskos (AIDS Wolf, Drainolith, Medicine Rocks), both keeping raw noise and electronics heads imploding since 2005, touring and collaborating all over our continent. Now they’re getting weirder. Way weirder. First wax yet for the tape-heads, courtesy of American Tapes mogul / Wolf Eyes retina John Olson. Only 200, so run don’t walk, you adventurous types.

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Thames – The Gift Of Money

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Thames – The Night She Became Me

September 5th, 2011

New Canadiana :: Apollo Ghosts – Money Has No Heart

To quote the press release, this single is “an homage to the Vancouver punk scene circa 2007-2010… i.e. a post-30 interpretation of Nu Sensae/B-Lines/Chris-a-riffic… an allegiance to the Nanaimo 4-track scene and Lethbridge garage.” The new wave of adjective-punk has arrived folks — post-adjective-punk, or perhaps more fittingly, subjectivity-punk; the end result of talented individuals swimming in the ocean of access, filtering music like baleen whales filter krill. Success in this new musical epoch will require talented people (people like Apollo Ghost’s Adrian Teacher) to actually do something creative with all of this excess. It’s not even December and I will already declare this the best 7” to come out in 2011. Impossibly good musics.

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Apollo Ghosts – Ultra Kool

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Apollo Ghosts – Money Has No Heart

August 31st, 2011

New Canadiana :: Various Artists – Bloodstains Across Ontario

Mammoth Cave’s tribute to my recently adopted province and the third entry in its Bloodstains series is a rapid-fire bombardment of ON’s finest hook-smugglers. Like speed dating at Gaga Weekend. it’s a blur of faces young and old that spins by before you can decide if they’re a creeper or a keeper. From the scummy sugar rush of Strange Attractors to White Wires’ pogo-punk and the starry eyed twee of Peach Kelli Pop, side A spills over with jams. The flip sees Young Guv channel his inner Ric Ocasek, Slim Twig sprout up twice with shred-heavy side-project Tropics, and the unreleased cut from Shadowy Men on a Shadowy Planet jolt from idyllic to jugular-ripping. Of course, Tonetta steals the show with effortless elevator sleaze, urging Toronto residents to “clean it up, yeah, all the shit.” Wooly bully bang for the buck grip.

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Tonetta 777 – City Joke

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Shadowy Men on a Shadowy Planet – Foreign/Aft

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Peach Kelli Pop – Panchito Blues

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Young Governor – I Wanna Girl from Wawa

August 29th, 2011

New Canadiana :: The Shrapnelles – Asscalibur

This three-song debut EP by four gloriously greasy Calgarian trashwomen will remind you of all things dirty, bad for you and therefore irresistible: the burn in your throat after a shot of SoCo; the oily bartender with prison tats who pours your pint in a way that loosens your knees; your friend’s mom who wears too-short shorts, makes jokes about anal sex and always shares her menthols. Opener “My Mom is Hot” is a bristly beast, off and running with nary a word, but out of nowhere comes “Desert Furs”, which begins as a swooning ballad and suddenly lurches into a galloping, howling expression of hot-blood love (or maybe it’s hate). This record rips with a snarling beauty. Please mummies, I want some more.

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The Shrapnelles – Desert Furs

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The Shrapnelles – My Mom Is Hot

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