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January 31st, 2012

New Canadiana :: Various Artists – Visage Musique Vol. 1

Various Artists - Visage Musique Vol. 1
Wipe that icy sweat off your brow and vogue like a vampire. Visage Musique’s late 2011 salvo sends out a coldwave of shimmering shivers with minimal emotion and maximum satisfaction, spanning the label’s extended family, WC fave Femminielli and a fresh cast of freaks. Black light aerobics and arena anthems pump it up like Pavel Bure while the witching hour survivors get their kicks. G to the RIP.

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Police Des Moeurs – Monde fallacieux (Extended)

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Brusque Twins – What Else Is There To Say

January 30th, 2012

New Canadiana :: Depatterning – The Blasted Health

Depatterning - The Blasted Health
Wist Rec.’s clever Book Report series earns a crackling, bubbling 3” CD soundtrack from prairie elder label chief Gary Mentanko. The stately soundwaves coaxed through the ether of H.P. Lovecraft’s 1927 tome spew forth from the disk tray with m-Log outerspacials, disembodied radio plays and guttural gurgles from the belly of the bog. A cherished grip for literati and object fetishists alike.

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Depatterning – Framgent 1

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Depatterning – Fragment 2

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Depatterning – Fragment 3

January 27th, 2012

Departures :: Ohama – I Fear What I Might Hear

Ohama - I Fear What I Might Hear
A familiar scene: a young dreamer alone in his parent’s basement makes music to escape loneliness and boredom. Now, the unusual thing about this scene is that this basement is filled with state-of-the-art (for 1984) home-recording equipment and synthesizers and is located in rural Alberta surrounded by endless potato fields, miles from anything remotely metropolitan. For the young Tona Walt Ohama, the major portals to the world-at-large from his isolated farm were through television, radio and records. A well-rounded diet of classical, rock, prog and most importantly New Wavers like Gary Numan & John Foxx gave Ohama the vocabulary he needed to beam beautiful analog messages from his farm to the greater world. I Fear What I Might Hear, Ohama’s first album proper, is a masterpiece of modern folk-form, perfectly capturing the Canadian cultural climate of the early eighties and its effect on a sensitive young mind. I Fear is at once as introspective and pastoral as Nick Drake, but rather than evoking acoustic images of Camus and moody English moors it speaks of McLuhan and a plugged-in landscape that is equal parts muddy toil and media spoil. The LP works effectively as a cohesive document partly because the existential themes of isolation, identity and cultural decay are explored as lyrical subject-matter throughout, but also because the songs are all stitched together using a concrete pastiche of sounds that ranges from idyllic & rustic (animals & water) to industrial & urban (engines & TV). Truly, this is a prescient letter of distress and dislocation revealing the disappearance of a dichotomy, where it doesn’t matter where you live, Google will find you. Don’t be afraid though, it’s a great comfort to know that Ohama’s clear and visionary voice is out there in the Great Wide Aether.

For further insight into the great mind of Ohama, check out my extensive dialogue with Tona via Polyphasic Recordings.

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Ohama – Where Do You Call Home

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Ohama – Midnite News IV

January 26th, 2012

New Canadiana :: Sean Nicholas Savage – Flamingo

Sean Nicholas Savage - Flamingo
If small town fairs were hip to the culture of cheap thrills and cheese appeal that speaks to my inner child, I’d hear Flamingo on the tinny speakers beside my head while I wait in line for elephant ears and ride vouchers. Sean Savage is calmer and quieter here than I’ve known him to be. These are vaguely erotic hand-holding and ferris-wheel-secret-telling songs. I want to win the big bear prize for my gal and make promises to her while the sun sets. Lovely meets funny as Sean trills, woos and oohs you.

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Sean Nicholas Savage – She Was The One

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Sean Nicholas Savage – Chin Chin

January 25th, 2012

New Canadiana :: Au Vol – Apothecary

Au Vol - Apothecary
Canada’s cantankerous centrifuge (read: Thunder Bay) births another industrial mammoth. Rolling in throws of topological warble and droning magnificence, Au Vol soaks the diligent mind in patterns of pseudorandom bliss. Apothecary is not without its minimal ambience, bringing a truer vision into the audio dialog coursing through the Canadian Shield.

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Au Vol – Don’t Phone Home

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Au Vol – Warm Bath, Gaudy as Poppies (For Sylvia)

January 24th, 2012

New Canadiana :: Boyhood – Boyhood EP

Boyhood - Boyhood EP
Layers of distorted flux from the nether-zone of Ottawa’s poly-pop underground ooze within Boyhood’s unassuming mellow burner. These direct-to-disc weirdos sleaze back into an alternate 90s wu-mansion brimming with teen age riots and sour times. Drizzle these noggin’ nodders over fists riffling for the grip.

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Boyhood – Where I’m Going

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Boyhood – Maintaining My Uncool

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Boyhood – Heat

January 23rd, 2012

New Canadiana :: Denim Reptile – Custody

From the manufactured landscape of Southern Ontario a new hybrid emerges. The Denim Reptile moves nimbly on warbling electronic feet across man made hills, but its tough exterior is defined by unabashed parking lot guitar solos. Donning an Iron Maiden T-shirt, the lizard king compresses roadhouse blues through a Windows 95 soundcard. A much needed flashback to basements of the early digital era.

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Denim Reptile – Smokin’ Broken Glass

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Denim Reptile – Heavy Duty Mama

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Denim Reptile – Bodice Ripper

January 19th, 2012

New Canadiana :: Dixie’s Death Pool – The Man With Flowering Hands

Dixies Death Pool - The Man With Flowering Hands
Shuffling and smiling through a moon-hung Ren. Faire when the dandelion wine has kicked in for the minstrels, electroacoustic jazzbo Lee Hutzulak dips into that crazy river. Tucked underneath his faded poncho, the twinkle-eyed lifeguard of Dixie’s Death Pool unleashes a squadron of steam punk arachnids to undertake his mystical bidding. Rev up your electric flute, grab a Mackie Blackjack and get jiggy.

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Dixie’s Death Pool – Paper That Folds Itself

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Dixie’s Death Pool – Tranquilizer

January 17th, 2012

New Canadiana :: Lantern // The Ether – Lantern // The Ether

Lantern and The Ether Split Cassette Cover
Lantern’s burning proto-punk and wah-wah workouts provide a much needed headbang session to strengthen those aging neck tendons. Their cover of this trashcan anthem further proves the cutting-edge theory that silverface fuzz blows away synth-banjo, any day. Meanwhile, The Ether’s destructo-wave ripples into black holes, a dense mass constantly on the verge of implosion. Here and there, a sparse guitar lead escapes the confines, a split-second before the void pulls you back head first into its crushing fury. Must grip!

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The Ether – Permanent State of Grace

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Lantern – America is my Zoo

January 16th, 2012

Featurette :: 2011 Wrap-Up

Since our great birthing in the spring of 2009, we have never bestowed upon the masses a curated year in review. We have our philosophical reasons (read: laziness), but 2011 was a special year and we’re hoping that 2012 will bring more change and triumph. In line with our continuous transfiguration, we would like to present a 2011 summary (of sorts). So, please, dig in. We hope you enjoy and can’t wait to share the mountains of boon scattered across our northernly paradise.

PS – Thanks to all our lovely writers for their hard work submitting all these beautiful trinkets of 2011′s glory. Additionally, my humble thanks to Jesse Locke for compiling everything and to Myke Atkinson for his layout advice.

Hearts,

Aaron Levin
Weird Canada
http://weirdcanada.com/

2011 Albums We Missed

More 2011 Albums We Missed:

Music From 2011 We Wished Was Released Physically

Other non-physical digitalia:

New Births Of 2011

Other newborns from the two-oh-one-one:

2011’s Most Memorable Album Cover

Other (hopefully not-so-garish) album covers:

2011’s Most Elaborate Packaging

More curiously packaged goodness:

2011’s Most Surprising Releases, Events And Ephemera

Other great minutiae of 2011:

2011 Release From The Most Obscure Location

  • Sutton, QC: Les Nitrates de Madame Mimieux – Rien n’est moins grave (Benoit Poirier)
  • Churchill, MB: A message from Taylor Burgess: “Hey, polar bear occultists from Churchill, get in touch with me already!” (Taylor Burgess)
  • Winnipeg, MB: Microdot – Lamps Not Amps (Paul Lawton)

    It used to be that Winnipeg was THE Canadian music scene, but it’s been pretty quiet over the last decade or so, and thus fairly obscure. Thankfully, The core group of musicians making up Microdot/Atomic Don and the Black Sunrise/Angry Dragons/This Hisses etc. will change that soon if releases like Lamps Not Amps have anything to say about it.

2011’s Favourite New Genre

2011’s Most Stoned Dudes

Other stoners of note:

2011’s Geographical Hotbed

Other geographs of note:

  • Lethbridge, AB (Mike Deane)

    Still!

  • Toronto, ON (Jesse Locke)

    Ha ha ha ha, no, seriously.

  • Saskatchewan (Taylor Burgess)
  • Halifax, NS (Benoit Poirier)
  • Halifax, NS / Truro, NS (Alison Lang)
  • London, ON (Pam Haasen)
  • The Internet (Gabriel Jasmin)

2011’s Most Face-Melting Video

  • Femminielli – “Atlantida” – (Simon Frank)
  • 2011’s Softest Bands Not Related To THOMAS

    Other softness:

    • Doc Dunn, Sundrips, and Bruce Cockburn’s first album. (Jesse Locke)
    • “The only soft I listened to is THOMAS. All others need not apply.” (Mike Deane)
    • Softcore, obvs. (Taylor Burgess)
    • Lab Coast (Jean Sebastien Audet)
    • “Gross.” (Paul Lawton)
    • Headaches (Pam Haasen)

      Well, I guess that’s arguable, but we like the softest moments of Land-o!

    • “All soft leads to THOMAS.” (Aaron Levin)
    • Jennifer Castle (Gabriel Jasmin)

    2011’s Youngest Bieber-Not-Bieber

    Other non-Biebs:

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