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February 25th, 2011

New Canadiana :: Little Jungles – Wuts Goin Thru Yer Head

Little Jungles’ debut EP consists of single servings of bitter truth wrapped in shiny pop-gaze wrappers like so much hard, hard candy. Lines like “You’re always telling me / All the negative things / That I know I could change / But it takes a long time to change” drill straight to the marrow of the contemporary quarter-life crisis, throwing off flecks of angst and sugar-coated bone. Matthew Niemann’s voice somehow floats above the cloaks of reverb and drum echoes, cutting through like a mosquito’s bombinations — yet his whine carries irresistible melodic missives. Wuts Goin Through Your Head is a shot to the heart for sugar freaks and a soundtrack to spring fever mistakes. Enjoy with sunlight and a soda.

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Little Jungles – Drive Yerself Crazy

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Little Jungles – Turn To Me

February 24th, 2011

New Canadiana :: Colin Stetson – New History Warfare Vol. 2: Judges

J’évite souvent les virtuoses. Trop souvent, c’est de la platitude masturbatoire. Mais parfois, un artiste sait jumeler un esthétisme raffiné à un grand talent, et l’on peut alors s’attendre à être jeté par terre. En fait, l’équipe de Weird Canada est encore en convalescence suite à l’écoute de New History Warfare Vol.2: Judges de Colin Stetson. Par sa maîtrise extraordinaire du saxophone, Stetson nous envoûte et parvient à créer des paysages vifs, évoquant parfois la densité accablante de la forêt amazonienne, et se modérant par moments à une ambiance sereine et pastorale. Considérant que l’album a été enregistré sans utiliser d’effets ni de prises multipistes, Colin Stetson nous offre un album impressionnant et sublime de jazz avant-gardiste. Un incontournable de 2011.

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Colin Stetson – Judges

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Colin Stetson – The Righteous Wrath Of An Honorable Man

February 23rd, 2011

New Canadiana :: First Nations – Wand

Stewing in the northern isolation of Grand Prairie, First Nations’ popular brew sharply morphed into an ambitious platter of cross-provincial musicalia after lead singer Derek Janzen darted westward. Derek’s dark velvet vocals are layered over ambitious mountains of rural mystics and sprawling piano pop while a dense harmonium and brooding kick hold Wand‘s ritual to pace. The album is a highly imaginative journey through Alberta’s north, British Columbia’s vacant island, and Canada’s penchant for immortalizing creative brilliance on crisp discs of plastic-wrapped digital mirrors. This really should have come out of Calgary.

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First Nations – Cathedral Bells

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First Nations – Skeletundra II

February 22nd, 2011

New Canadiana :: Weed – Down In The Valley EP

Down in the Valley usurps your evening mellow, forcing it into a somber chamber of melancholic fuzz. Only Vancouver could produce such a soundscape at odds with itself; the summery, searing pop leads vying for your vertical while Weeds’ minor-key diorama drag you right back down. Every track is engulfed in their stilted mellow producing a level of drum-sampled pop brilliance rarely seized. This is the new wave of post-hippie Vancouver freaks. Grip their sinusoids while they still permeate.

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Weed – Release Party

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Weed – Songs For Girls

February 21st, 2011

Inferred Views :: Al Bjornaa of Scotch Tapes

Scotch Tapes has quickly become Canada’s premier cassette label, pumping out thousands of tapes to brilliant minds all around the world. In addition to the plethora of magnetic strips crafted in the ghettos of rural Ontario, Scotch Tapes has been capturing Toronto’s burgeoning underground punk scene via plastic lathe-cut brilliance in a collaborative series with Young Guv‘s Ben Cook. In 2011, they embarked on yet-another lathe-series with Montreal’s No Vacation. As 2011 began with the redesign of Scotch Tapes’ rather hilarious website and their subsequent world domination, we decided to link Zacharay Fairbrother with Scotch Tapes founder and sole-proprietor Al Bjornaa for a featured chat about his rural adventuring.

Aaron Levin
Weird Canada
www.weirdcanada.com


/////////////// AL BJORNAA INFERRED VIEWS ///////////////

Zachary
::
I’m into how landscapes and environment influence people’s creativity. Why do you base your label where you do [Batchawana Bay]? How do the often cosmopolitan sounds play out in your environment?
Al
::
I base Scotch out of Batchawana Bay because it’s close to my family. I have lived all over the country but this has always been home. There have been some health issues in the Bjornaa family the past few years and its been nice to be able to help out. We run a family fishing business and I have had to take a larger role in that. Plus it’s a beautiful area. I live on the beach! The north shore of Lake Superior is my favourite place on Earth.

I have always been a huge music fan. Both of my parents love music. Although their tastes may differ from mine, they passed on a passion for good music. Most of the people who live in my area think the music I release sounds like a “badger caught in a wood chipper” but most people from the area think its cool that I run a record label in such a small place. Whenever I go for coffee or breakfast at the local diner, everyone always asks how the label is doing.

Zachary
::
I have heard of your beach shows. I hope you will you be doing more of this. Who has played? What was your favorite?
Al
::
I haven’t done an actual beach show in ages but I have had a lot of bands pass through here and hang out for a day or two. Its a tough area to get a decent show. I mean I could likely set up a show in Sault Ste. Marie (which is notorious for TERRIBLE shows) or they can hang out here for a night, have some drinks, go swimming and get a good meal. I am hoping that this year with a new space, I can host more bands and maybe do some recordings and send them back on the road with a new tape or lathe. Some of the best times I’ve had drinking/ hanging out/ recording have been with Play Guitar, The Famines, Dirty Beaches, Grown-Ups, Gobble Gobble, Nobunny… There are tons. I am hoping to make Batchawana Bay a “must-stop” for bands touring Canada. Not to play shows but to have a great day off mid-tour where they can do laundry, relax, jump in the lake, maybe practice some new stuff they have been working on. 2011 is already getting booked up at Casa de Al with Bucketseat stopping here in March.
Zachary
::
I see that your label is doing some collaborative splits how did this come about?
Al
::
Yeah. I wanted to work with a few cool labels. I have a lathe series coming out with No Vacation Records (Brett Wagg from Pink Noise/ Campaign For Infinity) Brett basically just asked if I would be interested and since I love the music he puts out, I was totally in. I also put out a 7″ with No Clear Records from Florida. I imagine if any label contacted me and I liked the band, I would probably be interested. I know that Ben Cook (Fucked Up, Young Guv, etc) and I have a few co-releases lined up for his new label, Marvelous Music, as well. We will be co-releasing the Roommates LP this summer/ fall.
Zachary
::
I see you have a vast list of upcoming releases. Are all these going to happen??!
Al
::
You bet your sweet buttocks! In the first two years of Scotch, I released almost 200 tapes. I take the label very seriously. Its become more than a hobby. It’s basically a second full-time job. I plan on putting out about 70 tapes, 30 lathes and 10 vinyl releases in 2011. There are times when I get tired and need a break… and those are the times where I just take like 2-3 weeks off, don’t check emails and basically disappear. But when I do that, I normally come back with 4-5 releases at once.
Zachary
::
What is up with the lathe series? Does the type of Lathe reflect the artist?
Al
::
Well… I have two series going. There is the Scotch/ Young Guv series. Ben Cook [of Young Guv] records all the bands that share his jam space and then we release a song or two from them. So far, I have put flexis out for Huckleberry Friends, Tropics, Bruised Knees & Lonely Wholesome with Actual Water, Dentata, Wyrd Visions and I think 2 more to come. The other series is the aforementioned series with No Vacation. There are some pretty killer bands scheduled for that like FNU Ronnies and Factums (who I LOVE!) The type of lathe really doesn’t come into play. I mean the one I did for We All Inherit The Moon HAD to be a square plexiglass lathe because of the ideas they had for the art but most bands don’t really care that much. They just think lathes are fun.
Zachary
::
Do you think there is a Canadian Sound? And what from your perspective are the sounds of the different scenes within Canada?
Al
::
I don’t think there is a specific Canadian sound. It’s such a vast area geographically that it’s tough to narrow down one sound. I think Vancouver has a great weirdo punk scene with bands like Shearing Pinx, Nu Sensae, Twin Crystals, etc. who really have their own genre that isn’t like anything else in the country. When you move into the prairies you have bands like Myelin Sheaths, Fist City, Grown-Ups, Moby Dicks… sort of that heavy garage punk stuff. They all totally feed off of each other. Ontario is sort of weird. Toronto is just starting to get a good scene again. I think the bands that Ben and I are releasing on the lathe series are going to get big really fast this year. That jam space is oooozing talent. Montreal always has a great scene. I think that city spawns some of the most creative and unique artists. And the whole Halifax scene… that city reminds me of Portland, Oregon. EVERYONE is in a band and creates visual art and silkscreens t-shirts and makes zines and drinks good beer if they can afford it but will drink shit if that’s all they have and dresses cool without thinking they dress cool. One of my absolute favourite cities on the planet!
Zachary
::
What has got you most excited about 2011?
Al
::
SUMMER! I hate winter more than anything! That and doing this interview for Weird Canada! Thanks, Zach…

February 21st, 2011

New Canadiana :: Clinton Machine – Gettin’ Personial

Inexplicably gnarly wall-of-soundgarden fringe-freak explosion. Clinton Machine pushes you through a vortex of bludgeoned 90s metal-zone, burnt politics, and low-end attitude that will confound and bewilder, careening your understanding of the sanctity of modern living. Gettin’ Personial is the audible collection of bedroom nightmares conjured by distant uncles lurking in every basement apartment below you. Listen with caution. Beautifull tri-color silk-screen cover. GRIPPETH!

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Clinton Machine – Sun Dog

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Clinton Machine – Good News

February 18th, 2011

Video :: Make Some Noise [dir. Andrew Munger] (1994)

To the casual observer, Toronto rap history can be traced like this: Maestro blew up (then) “Northern Touch” dropped and made stars out of Kardi BaKardi and Choclizie (then) Drake became the biggest rapper in the world. Well, somewhere in between “Symphony in Effect” and “Northern Touch” there was a burgeoning underground hip hop community in Toronto that, thanks to filmmaker Andrew Munger, has been documented and preserved. The film follows then up-and-coming Toronto rap groups like Ghetto Concept, Nu Black Nation and MVP, creating what now stands as a time-capsule peek into 90′s Toronto hip hop. Sixteen years after Munger’s Make Some Noise premiered at TIFF, the film is finally getting proper distribution (well, if the Internet counts as distribution) through some of the folks at Ugsmag. Check for appearances by a baby-faced Mos Def, a thugged-out Jelleestone and a freestyle from Mr. Canadian Idol! You can check the flick below or click here. I’ve also included some scans of photos and newspaper clippings from the time of release.








February 17th, 2011

New Canadiana :: N.213 – FXGGXTRY

Nic Hughes is as close as Vancouver’s underground scene has to royalty, something even a cursory glance at the staggering number of releases on his Isolated Now Waves label lends undeniable credence to. Never content to rest on such laurels, Hughes continues to produce great art at a pace few could muster (let alone match), and his solo project N.213′s latest, FXGGXTRY, proves his merit yet again. While undeniable tapped from a similar vein as his work with Shearing Pinx, this cassette manages to deviate and define itself as a more personal and introspective work without all of that singer-songwriter bullshit that usually follows such descriptors. Soaked in anger (or anguish?), barrages of spastic, massive guitars slide sinew-tight over each other before slamming up against noisy rumbles of sound collage hum and restrained, unworldly instrumentals. To top it off, Hughes’ inimitable vocals continue to put reverb-fetishists everywhere to shame. There’s an ominous feeling to the whole record as if some strange current runs through its every connection, a basement tape concept album in denial. To put it simply? FXGGXTRY is the best N.213 release to date.

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N.213 – Forgiveness

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N.213 – Breather

February 16th, 2011

New Canadiana :: No Gold – No Gold

The debut LP from Unfamiliar Records’ No Gold starts with a blissed-out wormhole of kaleidoscoping liquid noise punctuated by percussive rattles and Phil Collins-esque tom-tom punches. Opener “Rainforce” gives a full-body dirty massage before dropping you in a humid garden of psychedelic fronds sprouting equatorial fruits, ripe and ready to spray tropical colours all over your palate. No Gold have come out from recording hibernation with a serious penchant for deep grooves, spinning themselves outward with mesmeric effects. Set to ensconce your lobes in a magic mushroom cloud, the Vancouver group nevertheless adhere to their own brand of stoner logic, exhibiting sharp moments of hooked-out melody and self-aware lyrics like “All that I can smell is weed and Nag Champa.” So it isn’t just me, then.

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No Gold – Weird Week

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No Gold – Rainforts

February 15th, 2011

New Canadiana :: Fist City // Timecopz – Split 7″

It’s like someone told both of these bands: “You only have five minutes to say everything you have planned for the next year,” and they nailed it into the ground. Fist City’s side has an amazing mix of precision and shambles, of dissonant guitar lines and totally uplifting sun-after-the-storm, muddy-voiced melodies. The trampling, mangled, spit-out warbling verses give way to trebly, simple guitar lines backing catchy-as-all-hell choruses. Timecopz keep pace with bratty, chunky, screamy garage-punk that stays away from all gimmick, giving nothing but two songs full of noisy, in-the-red energy. Group choruses and infectious verses mix punk’s past with punk’s future and give you punk rock for right now. MUST GRIP.

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Timecopz – Shit City

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Fist City – Iggy Pup

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